CUSTOM BEATS
Made for your project and never sold to anyone else. You won’t hear your beat under someone else’s breakup song.
[ WORK 1–ON–1 / SLAKIN / BILLBOARD PRODUCER ]
The references contradict each other. The demo is a voice note. You’ve described the drums as “more like… yeah.” I’ve worked with less. Let’s turn it into a record.

SOME FAMILIAR NAMES
[ 01 / THE PROJECT ]
LESS GUESSING.
MORE FINISHED MUSIC.
Made for your project and never sold to anyone else. You won’t hear your beat under someone else’s breakup song.
We agree on the terms before we start. Nobody needs a surprise plot twist in a license agreement.
We talk throughout the project. You won’t have to interpret my silence as creative direction.
You work directly with me. Plus my network and resources when the project calls for them. No game of telephone.
Tell me what’s off. “Something about the drums” is a perfectly acceptable place to start. We keep going until it’s right.
Your songs get professionally mixed and mastered. They should sound finished because they are.
Beyond the audio: visual identity, creative direction, release planning, promotion and content strategy. Because “I’ll just post it” is a sentence, not a release plan.
[ 02 / PRODUCTION CREDITS ]
PRODUCTION CREDITS
CLICK A NAME. CHECK MY WORK. ↗
ALSO ON THE LIST / SHIPPEUR · SKYMINHYUK · FNL ZONE · JAROD
[ 03 / HOW IT WORKS ]
01 / APPLY
Send your demos, references and what you have in mind. Unfinished is fine. That’s more or less the point.
02 / LET’S TALK
We talk through the idea, the workflow, the scope and the budget. Actual conversation. Terrifying, I know.
03 / MAKE IT HAPPEN
If we’re a fit, we agree on the details and make the record. You’re allowed to have opinions about the snare.
[ 04 / PRIVATE 1–ON–1 PRODUCTION ]
Tell me what you’re hearing, what you’re working toward, and when you want it out. We’ll figure out the scope and budget together.
Prefer a separate tab? Open the application ↗